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⇒ PDF Gratis Lily (Audible Audio Edition) Michael Thomas Ford Pyper Down Lethe Press Books

Lily (Audible Audio Edition) Michael Thomas Ford Pyper Down Lethe Press Books



Download As PDF : Lily (Audible Audio Edition) Michael Thomas Ford Pyper Down Lethe Press Books

Download PDF  Lily (Audible Audio Edition) Michael Thomas Ford Pyper Down Lethe Press Books

Lily is a girl who discovers she has the ability to see how others will die simply by touching them. Only she doesn't want this gift, and takes extreme measure to protect herself from it. When her mother - because every fairy tale has to have a wicked stepmother - sells Lily's services to an evangelical preacher and his wildly popular travelling tent revival, Lily is torn away from the idyllic place she's always known as home and thrust into a world of greed and manipulation that threatens to destroy her unless she can find a way back, if she survives the quest the old witch Baba Yaga has given her...or the attention of the tent revivalist who promises to save her soul.


Lily (Audible Audio Edition) Michael Thomas Ford Pyper Down Lethe Press Books

As always, Michael Thomas Ford delivers a deftly-penned and darkly-rich story. The intermixed illustrations bring a dark, archaic Rus feel (appropriately) to the story while Ford's signature wit and tone weave a story that is both timeless and wholly original. You most certainly don't want to miss this novel.

Product details

  • Audible Audiobook
  • Listening Length 7 hours and 21 minutes
  • Program Type Audiobook
  • Version Unabridged
  • Publisher Lethe Press
  • Audible.com Release Date November 7, 2016
  • Language English
  • ASIN B01MG8S7XC

Read  Lily (Audible Audio Edition) Michael Thomas Ford Pyper Down Lethe Press Books

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Lily (Audible Audio Edition) Michael Thomas Ford Pyper Down Lethe Press Books Reviews


What a delightful book! It's a surreal fairy tale grounded in reality and the mix of these elements sets a uniquely compelling mood. There's as much darkness as there is light in this book but throughout, the theme is love. I thoroughly enjoyed this book!
In Lily, Michael Thomas Ford takes the fairy tale back to its darker roots. What struck me most about Lily was how familiar it all felt. Ford taps in to some mighty well-used archetypes but mashes them up to create a story unique in its own right. Take a bit of Old Scratch, some P.T. Barnum, a dash of evangelical hypocrisy, stir it all up in a cauldron by the light of a midnight moon, and you have a hearty fairytale stew. Discomfort food. And I would be remiss if I didn’t mention the incredible interior and exterior artwork by Staven Andersen, which adds to the otherworldly mood while it comments on the story itself.
Enter a world of magic and wonder, in which help can come from the unlikeliest of places. Lily is a young girl, living in a seaside village, who is just entering into womanhood. On the morning of her thirteenth birthday, she discovers her ability to see the deaths of those she touches, as she is given an enormous hug by her beloved father. She soon finds out that these visions are very real, upon receiving news of her father's drowning death. After the funeral, Lily's mother takes her away from the magical village, in which she grew up. They soon find themselves at a traveling revival show, where nothing is as it seems. Lily wants her gift to go away. She feels another, wilder girl, awakening inside of her. She is promised help from the revival, to rid herself of the visions. It seems however, that they only want to exploit her gift, for profit. This is one of the best books I've read all year, and it ranks among the best books I've ever read, period. The illustrations beautifully capture the essence of the story. It is filled with love, heartbreak, terror, anger, sadness, and even hilarity. This truly is a grand fairy tale, deserving a place in your heart and mind. Michael Thomas Ford has penned a classic!
Lily is a marvelous fairy tale by author Michael Thomas Ford. The elements of a fairy tale are all present - magic, a young adventurer, the rescue of a victim, an evil adversary, even a fairy godmother. But the characters that occupy these roles are unexpected and freshly viewed. Lily, a young girl who can see the death of others, is taken from her home to a traveling carnival. Her homeland of simple, straightforward magic, is disrupted in a world of subtle tricks and misdirection, led Brother Silas Everyman, a preacher with questionable goals.

As much as I always enjoy reading Ford, I was also quite taken with Staven Andersen's black and white illustrations. They felt both very medieval and contemporary-horror, with their exaggerated body shapes reflecting sins and graces in the tale. The combination provides a rich and frightening read.

Ford pulls the fairy tale trope apart like the cotton candy Lily eats - changelings and fortune tellers and Baba Yaga and even Old Scratch himself show up in the story, creating a new world that is as dark and gruesome as any Grimm Brothers' tale. And like a Grimm story, Ford's manages to take us from darkness to light through the simple magics of innocent love.

I recommend this book to readers of fairy tales, especially those who seek the terror and darkness in order to slay the monsters who lay in hiding there.
“On the morning of her thirteenth birthday, Lily kissed her father and knew he would be dead by nightfall.”

Thus begins the coming-of-age story of Lily, who has always lived happily in a seaside village with her mother and her fisherman father until his death changes her life. Like other central characters in fairy tales, she is given magical gifts (from her late father) and tested by an antagonist, the witch Baba Yaga from Russian folklore.

When Lily is unable to foresee the death of the witch, she asks “Are you death or life?”

The witch simply loses her temper, and tells Lily she is “not ready for Baba’s game.” However, Baba Yaga is intrigued by the “wild magic” in Lily, and thinks “Such a girl could be very useful. Or dangerous. Possibly both.” The witch decides to follow Lily in her journey beyond the safety of childhood into the dangerous world. Although she is a cannibal who eats children, the witch becomes a kind of supernatural godmother to Lily, an older woman who is better for her than Lily’s own mother.

Lily feels so guilty for her father’s death – brought on, she thinks, by her ability to foresee it – that she hates the “other girl” inside her who has this ability, and wants her to die. Lily’s self-contempt makes her vulnerable to a harsh religion in the outside world, where her mother was raised, and where she returns, with Lily, after the death of her husband.

What strange cult is this? Christianity.

The sly feminism of this fable is revealed in its neat reversals of traditional morality. A worse villain than Baba Yaga is the Reverend, leader of a traveling carnival, who converts townsfolk by making them afraid of the consequences of “sin,” a concept that seemed unknown in the village of Lily’s birth. With the full co-operation of Lily’s mother, the Reverend uses her prophetic ability to persuade potential converts that they can avert death – or at least violent death – by following his rules.

Part of the charm of this novel is the way it combines actual history and folklore from various cultures. While the Russian witch persistently stalks Lily in a version of nineteenth-century America, one of the women in the Christian carnival is a ghost whose child was traded for a changeling, a fairy boy who is trapped where he is. The fanciful illustrations at the beginning of each chapter add to the impression that this plot could take place anywhere, or nowhere in the actual world. (The drawing of a naked, gnome-like creature smoking a cigarette on the book’s back cover hilariously conveys the cynicism of the carnival roustabouts.)

Of course, Lily is being tested, and she can only return to her home in the seaside village if she passes the test. Lily`s compassion for a captive girl, covered against her will with marks of “sin,” enables Lily to break through her own self-contempt, find allies, and overcome hopelessness.

The whole saga is parallel to inspiring, based-on-real-life stories of young women who have been ensnared by men’s lies, but who escape and rescue others while coming to understand their own “wild magic.” This version, however, is more fun.
Awesome book. Well deserved accolades it has gotten.
As always, Michael Thomas Ford delivers a deftly-penned and darkly-rich story. The intermixed illustrations bring a dark, archaic Rus feel (appropriately) to the story while Ford's signature wit and tone weave a story that is both timeless and wholly original. You most certainly don't want to miss this novel.
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